Those descriptors really hit the nail on the head, essentially. Their sound really does bring together the lo-fi drone of early kraut-rock and the dubby undertones of reggae influences, not to mention the airy, dream-like vocals.
While the sound may go under the table for the crisp-production saturated youth, it takes everything I enjoy from a variety of genres and mashes them together in a lo-fi puzzle, something that I would normally have to dig through dusty record store crates to find.
What's even more interesting, is that the reach of Peaking Lights plays well into the current evolution of hip hop. Yes, you read that sentence correctly.
More specifically, remember back in July when I was hyping Clams Casino? Well, you probably don't, so to summarize: Clams produces a type of instrumental that fringes on ambience, which budding rappers took a hold of as a new sound, and would wax poetic over the top of. See where this is going?
This is leading to some, well, interesting remixes of Peaking Lights tunes, such as the Main Attrakionz one below:
Peaking Lights - Marshmellow Yellow / Amazing And Wonderful (Main Attrakionz MAN WORLD remix) by Weird World Record Co
Am I super-mega-ultra excited about this tune? Not especially, I'd prefer the instrumental. However, it's definitely an interesting example of the versatility and evolution of hip-hop instrumentals.
For more Peaking Lights: